Decoding Philosophy - Jim Morrison & The Triumph Of Poetics, Faith & Music

"Cogito Erlo Sum - I think therefore I am" 

"The two operations of our understanding, intuition and deduction, on which alone we have said we must rely for the acquisition of knowledge" said Rene Descartes.

Years later......Martin Heidegger writes......

"The most thought provoking thing in our thought provoking time is that we are still not thinking."

"Was heisst denken? What is called thinking?"

Thus, Philosophy yet remains an unending story, a lingering thought and an unanswered existential question.

DECODING PHILOSOPHY THROUGH HEIDEGGER

Philosophy is an essential enquiry, a quest and incessant questioning of the truth that one believes or not believes. This eternal quest of man that provokes thinking, contemplation, introspection, judgement and his final conclusion, is the core of man's philosophical existance, his thought process the birthplace of  his ideations and ideologies
Whether its the question of nature and the behaviour of a being or about the being itself.
Martin Heidegger puts it as Dasein ( the being for whom being is a question ) in his magnum opus 'Being and Time' bringing forth an old existential question but with an alternate perpective, thinking otherwise
'Being and Time' explores this primeval search of the self rather than matters surrounding the self, the very origin of the self that is the very question of - what it is to be ? The definition of a being and its experience as a being
how does it feel to be? or
what is the essential feeling of being?

"Why there is Being at all and not much rather Nothing? That is the question."

Though the above work investigates this alternate theory of 'the being itself' rather than matters concerning the being. It yet remains unfinished, as Heidegger could not complete the second part of book on the Destruktion or deconstruction of philosophy something that I am attempting now through this article to break down to that single fragment of truth that gives existence its very meaning resolves one's questioning and soothes philosophical disposition.

Away from philosophy, Heidegger now seeks through poetics in his 'Poetry, Language and Thought' emphasizing the role of art and poetics in particular. Making a doorway in the search for truth by turning towards poetry and arts as the embodiment of truth. In the seven part collective refencial study of The Thinker As The Poet, The Origin Of The Work of Art, What Are Poets For?, Building, Dwelling, Thinking, The Thing, Language and lastly "......Poetically Man Dwells......" Delving and discussing in depth the origin, nature, essence and importance of poetics as an artform, as The Thinker As A Poet Commences with the following lines

"Way and weighing
Style and saying
On a single walk are found

Go bare without halt
Question and default
On your single pathway bound.

When the early morning light grows quietly above the mountain
The world's darkening never reaches the Light of the Being
We are too late for the gods too early for the Being, Being's poem, just begun, is man
To head toward a star-this only
To think is to confine yourself to a single thought that one day stands still like star in the world's sky."


TURNING TOWARDS SCHOPENHAUER

"The world is my representation "

Turning to Schopenhauer man is born with an urge or desire an unsatiated will which he seeks to satisfy contrary to Hegel's concept of Zeitgeist ( der Geist seiner Zeit or the spirit of the time ) which reflected the idea of collective consciousness  as a driving force for the individual's choices or actions, Schopenhauer maintained on the individual consciousness or one's self will to live ( Wille zum Leben ) as the force governing his preferences and decisive actions.  In his work The World as Will And Representation, he blames the inconsistent human will as the root cause of all suffering and believes in ascetic piety and the wisdom of the Vedas and the Upanishads as the solution in search for truth similar to the sublimation process adopted by Peter Wessel Zappfe, a Norwegian philosopher & successor influenced by his ideation.

In his search for truth, Schopenhauer gives enormous importance to music as the ultimate embodiment of human will free from plagiarism in its original innate nature. Reigning  highest among other artforms, it emancipates the senses appealing to all its partakers or listeners. Hence, dissolving the outward seperatedness unfying oneself with universal consciousness merging the subject and the object into one single unified Whole, as he states the effects of music in the section 34 of  The World As Will and Representation-

"One can thus no longer seperate the perceiver from the perception."

As for Schopenhauer, music is the sole artform that is stated "Pure, will-less, timeless...". It is not subjected to the Principle of  Sufficient Grounds rather embodies the human will as individual object based on personal experiences,  emotive faculties, talent, a Catharsis, purgation through creation of a muscial composition owing to it pure, timeless, ageless and universal nature.

UNDERSTANDING KIERKEGAARD 

"Revelation is marked by mystery, eternal happiness by suffering, the certitude of faith by uncertainty, easiness by difficulty, truth by absurdity; "

Kierkegaard bases his search for truth on faith, theology and individual consciousness as he believes God comes to each individual mysteriously and that one should attempt in establishing a personal and individual relationship with God rather than following a collective faith manipulated by dogmas and dictums. For Kierkegaard truth essentially lies in an absolute unadulterated surrender to God by developing an unperturbed and unflinching faith realising Him from within one's own self as he states,

"An action in the eternal transforms the individual's existence."

Through constant study and introspection, Kierkegaard negated the Hegelian prospect of mediation and adopted his own individual inference and experience concluded that it is only love towards God which emerges higher than any mediation or logical rational reasoning . Thus, rejecting logic for ethics.

"The how of truth is precisely the truth....."

"Every human being is spirit and truth is the self-activity appropriation of it...... "

"There is no work not a single one, not even the best one about which unconditionally dare to say : The one who does it unconditionally demonstrates love by it.
It depends on how the work is done."

For Kierkegaard, its the aesthetics of poetry, beauty and most importantly love and faith which embodies the truth in its purest form.

"O, can I really believe the poets when they say that the first time one sees the beloved object he thinks he has seen her long before...
That love like all knowledge is recollection,
That love in the single individual has its prophecies, its types, its myths, its Old Testament.  "

CONCLUSION- DECODING

The poetics for Heidegger, music for Schopenhauer and the faith for Kiekegaard emerge as self embodiment of the Absolute manifesting itself into different forms expressing its eternal nature through various mediums as introspected and felt by different individuals in their own thought, their own ways in their own ideations in search of the Truth.

Jim Morrison's personal study of philosophy, his thought patterns, poetic creations, musical compositions and over all unified consciousness makes him the Ideal in the search for Truth.

Traverse the lines to reach its meaning

Lines intersect and entwine

Conjoin their meanings to retrieve the subject

The subject only reveals itself w/the pure eye...

                                                           - Monalisa

Sacrifice of The Heart And Shedding of The Blood -Jim Morrison & Tears Of The Wrath Bearing Tree

How can they deal with love if they're afraid to feel. Pain is meant to wake us up. People try to hide their pain. But they are wrong. Pain is something to carry, like a radio. You feel your strength in the experience of pain. Its all in how you carry it. That's what matters.  Pain is a feeling. You're feelings are a part of you. Your own reality . If you feel ashamed of them, and hide them, you're letting society destroy you're reality. You should stand up for your right to feel your pain.

The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can't be any large-scale revolution unless there's a personal revolution. On an individual level. It's got to happen inside first.
         
                                                         - Jim Morrison

"Signs are taken for wonders. "We would see a sign":
A Word within a Word, unable to speak a Word
Swaddled in darkness. In the juvescence of the year
Came Christ the tiger."

The Wrathful aspect of the Divine Creator, is much alluded to the process of metamorphoses. As the peace loving divinity transfigures into a violent figurine in order re -establish faith dissolving ignorance and illusion.
A brief synopsis of the wrath bearing incarnations of the divine can be seen and felt in Hinduism through the Narasimha to the Kalki Avatara whereas in Buddhism, the Herukas and the eight Dharmapalas, representing themselves as the Guardians of Dhamma.

The mythological significance and necessity of assuming the wrathful form can be better experienced through some selected lines form T.S. Eliot's Gerontion along with few lines from Dante's Inferno.

"Through me you go to grief wracked city. Through me you go to everlasting pain. Through me you go a pass among lost souls. Justice inspired my Exalted Creator.: I am a creature of the Holiest power & of the Wisdom in the Highest and of primal Love. Nothing was made till I was made. Only eternal beings. And I endure eternally. Abandon all hope-Ye who enter here"
( Canto III :The Gate Of Hell )

"I come into a region where is nothing that can give light"
"Let us descend into the blind world"
(Canto IV: First Circle)

"Love insists the Loved ones back."
"Beauty awakens the soul to act."
(Canto V)

                                                 - Dante's Inferno

HARROWING OF HELL DESCENSUS CHRISTI ED INFEROS THE DESCENT OF CHRIST IN HELL
 AS DEPICTED IN THE PETITES HEURES DE JEAN DE BERRY 14TH CENTURY ILLUMINATED MANUSCRIPT COMMISIONED BY JOHN, DUKE OF BERRY

 


























The beginning six lines bears inscription to the Gate of hell- a metaphorical instance of human life's experience through the passageway of grief and suffering as Dante explains "The path to Paradise begins in hell."

T.S Eliot's explicit confessions of the decadence crept in the crevices of human society, gives an ideal imagery for the necessity of Salvation as expressed through the Coming of Christ as the tiger figure. As he makes it quiet clear, that the path to mercy and forgiveness has quite outdated itself with the onset of the modern civilization alluding to history as a proof of it. The regeneration of lost cultures and emotive senses .

"After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions
Guides us by vanities. Think now
She gives when our attension is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What's not believed in. Or still believed
In memory, reconsidered passion. Gives to soon
Into weak hands, whats thoughts can be dispensed with
Till the refusal propagates a fear. Think
 Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes."

The reference of 'she gives' is used by Eliot alluding to the Hindu concept of Yogmaya or illusion. As this apparent, make-belief world game is run by the feminine forces of illusion and equivocation where every gain or loss is pre- conceived by the forces of  maya which using confusion, contradiction and constrasts and procastination ( ref: Gives too late .......Gives to soon into weak hands ) as its tools to keep alive this world play.

"These tears are shaken from the wrath bearing tree
The tiger springs in the new year. Us he devours
Think at last.
We have not reached any conclusion
When I stiffen in a rented house. Think at last
I have not made this show purposelessly"

The most iconic and important line referring to the Wrathful aspect of a tree is significant, as a tree which is often signified as a giver of life force is shown converted to a vengeful taker, referring to a symbolical transmutation or role reversal necessary for its functioning as a benefactor to humankind. Whereas the Tears represent Catharsis or Purgatorio.

"I that was near your heart was moved therefrom
To loose beauty in terror, terror in inquistion
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated
I have lost my sight, smell, hearing, taste and touch.
How should I use it for your closer contact?"

                                                           -T.S. Eliot's Gerontion

The above lines conclude to the loss of  love and faith along with a subsequent hope of revival of the human emotive senses to a higher truth of existence.

Jim Morrsion's truthful confessions brings out the true nature of reality and the world along with the everlasting aspiration of human life and pure relations...what it really amounts to....

A Friend is someone who gives you total freedom to be yourself especially to feel, or not feel. Whatever you happen to be feeling at any moment is fine with them. That's what real love amounts to letting a person be what he really is .

                                                          - Jim Morrison

The Future Is Near When You Touch The Stone - Jim Morrison And The Chintamani

Chintamani or The Wish-Fulfilling Stone

"This is the Strangest life I've ever known ...."

                                   - Jim Morrison

"Through the Stars I come. I bring the chalice ( Grail )  covered with the shield. "

Encrypted in Sankrit, the Chintamani stone or the Treasure of the Worlds bears the above emblem. Dark green in appearance, this trapezohedron shaped stone is one of the most revered artifact this earth has ever received. Extra-terrestrial in origin, the stone is believed to be bestowed upon the King Of The Worlds in Shambhala by the residents of a planet orbiting Sirius. The Sirian emissaries blessed this stone with power of creating the Utopian One world civilization (The Great White Brotherhood) full of love, compassion, benevolence and peace.

SIGNIFICANCE IN FREEMASONRY AND WESTERN ALCHEMY

The traingular pyramid of 13 steps along with the 13 letters ANNUIT COEPTIS (Latin phrase derived from Virgil's Aeneid meaning- He (God) approves of Our Undertaking ) as well as E PLURIBUS UNUM (on the front seal derived from Virgil's poem Moretum meaning- Among many, the One ) and the All Seeing Eye inscribed on the top depicts the Eye of Providence (the Great Architect of the Universe)or Digitaria the Dwarf star in the Sirius star system. It was a highly revered mystical esoteric symbol of the 18th century Illuminati secret societies, and was later incorporated at the back of the US dollar bill by the Freemasons later adopted and presented by Charles Thomson to the Congress in 1782 under the adminisration of Franklin Roosevelt a noted freemason himself. Sirius has been revered as the Great White Lodge or the The Blazing Star in freemasonry depicting the significance of the lower motto NOVUS ORDO SECLORUM ( meaning the New Order of the Ages) and its role as the establisher of the Great White Brotherhood and a One world civilization. The US seal and 4th of July ( day of US independence ) bears enormous significance to its relationship with the Sirius star system, as Sirius is considered to be in closest alingnment with sun during the first week of July.

THE PHILOSOPHER'S STONE AS DEPICTED IN MICHAEL MAIER'S ATALANTA FUGIENS EMBLEM 21 CIRCA 1617

In Western alchemy, the Chintamani stone is often regared as the magical Philosopher's stone possessing the capacity of performing Alchemical miracles of the highest magnitude such as transfiguring all base metals to pure gold along with bestowing its beholder with immense power, authority, spiritual advancement and immortality. "Whoever controls the stone controls the world."

SYNONYMITY WITH THE GRAIL LEGEND

In Wolfram Von Eschenbach's rendition of the Holy Grail legend Parzival, the Chintamani stone bears resemblance to the alluded Stone of Heaven due to its similar extra-terrestrial origin and Dark green appearance along with its magical alchemical properties of bestowing miracles and even immortality.

SIGNIFICANCE IN HINDUISM & BUDDHISM

The Chintamani stone bears its etymological roots to Sankrit Devnagri script as Chinta refers to thought or wish and mani refers to stone, thus naming it the wish or thought fulfilling stone.

IMAGE DEPICTING KIRTIMUKHA MAKARA AT THE ARCH GATE ENTRANCE IN A HINDU TEMPLE IN KATHMANDU, NEPAL

In Hinduism, it holds a special place as its story is alluded in yoga Vashistha, it is also believed to be found on the head of Makara or in possession of the Naga King.

In Buddhist traditions, singing the Dharani

or speech ritual of the Chintamani attains one the service of the Infinite Supreme by vision of the holy retinue of the Amitabha Buddha, as the stone is associated with different forms of Buddha like the Boddhisattva, Avalokitesvara and Ksitigarbha blessing its beholder with Truth, Wisdom and the Bodhi nature.

RIGHT IMAGE DEPICTING -AMITABHA BUDDHA IN TRADITIONAL TIBETAN THANGKA

 It is also depicted being carried on the back of Lung-ta or the wind horse in Tibetan prayer flags referring to the Tibetan legend of - ' the steed of happiness' . It is detailed theme in one of the mystic paintings of Nicholas Roerich.

- LEFT IMAGE IS A PAINTING BY NICHOLAS ROERICH NAMED THE TREASURE OF THE WORLD-CHINTAMANI

It is also revered among the four relics including termas such as the Karandavyuha Sutra that fell in caskets from the sky, again alluding to extra-terrestrial origins, during the reign of the 28th king of Tibet Lha Thothori Nyantsen .

One of the four relics included a Mani stone with the Tibetan Tara mantra Om Mani Padme Hum inscribed on it, along with Budhha's bowl probably a singing bowl, which were heralded as the forerunners of Dharma in Tibet. 



THE SPIRITUAL QUEST

- A 14TH CENTURY GOREO PAINTING DEPICTING A KSITIGARBHA HOLDING A CHINTAMANI 

Nicholas Roerich during 1923-27 was referred to journey back to Shambhala ( the hidden kingdom of Immortal Ascended masters ) to return the received fragment of the stone, post the League Of Nations failure. However, he could reach up till Tashilumpo Monastery in Shigatse, Tibet where he handed over the stone fragment to the head priest Panchen Lama who are over the ages believed, to travel quite often to Shambhala through the underground tunnels connecting the monastery and the hidden kingdom. Roerich had received the Chintamani stone in mysterious circumstances while his stay at the Lord byron hotel on 6th October 1923, when he was handed a courier comprising an ornate casket housing a precious stone fragment send by an French secret society. This casket and the stone can be found depicted in most of his mystic artworks as a haloed chalice. He was bestowed the stone fragment with the objective of fulfilling the Sirian dream of the Utopian One world civilization.

The stone is believed to be now residing at the King's tower in the heart of Shambhala, until the deemed time comes when the king of World or Maitreya Kalki is bound to descend on earth along with the stone to establish the Aquarian age or the age of Shambhala heralding a new world order.

As the Ancient texts say...."When the son of sun descended upon the earth to teach  mankind, there fell from the heaven a shield which bore the power of the world."

APHORISMS- Jim Morrison's poetic connections entwined with the vibrations of the Chintamani 

Encompassing the reader, the stallion comes on to ride the tide of truth. The stone full of mystery & magic......- Monalisa

At the first flash of Eden 

We race down to the sea.

Standing there on freedom's shore

Waiting for the Sun

Can you feel it

Now that Spring has come

And it's time to live in the scattered sun

Now I tell you this 

No Eternal reward will forgive us Now For wasting the Dawn....

                                         -   Jim Morrison

The Golden Lyre ( Adonai ) & The Fire In The Sun ( Satyavan ) : Jim Morrison Coming Back To Eternal Life

The Golden Lyre symbolism

-LEFT IMAGE DEPICTING DETAILED ADONIS IN A RED ATTIC FIGURE IN ARYBALLOS SHAPED LEKYTHOS BY AIASON, CIRCA 410BC, LOUVRE

Adonis as the vegetative god of
Rebirth: The mystic cult of Adonis heralds him as the Eternal youth or the one with immaculate poise and charm. Known to be the supreme beholder of Beauty Adonis derives his name from Adon meaning 'the Lord' and hence bears its etymogical roots to Judaism as Adonai in the Hebrew Bible referring to God in reverence or as in prayer. Related with occultism and mystery religions the legend of Adonis is in detailed literary description in the Book X of the Roman poet Ovid's epic Metamorphoses. The son of Myrrha & Cinyras, his mother turned into a Myrrh tree while Lucina the Epithet for Juno facilitated the childbirth. Adonis was then sheltered and cared as a new born babe by Aphrodite who later handed him over to Persephone, but Adonis chose to stay under Aphrodite's care.
The vegetative cycle of birth & growth, Sparagmos or dismemberment & scattering and then regeneration is characteristic of the Nature deity. This cyclical pattern of reappearance is alluded to the theological and spiritual themes of immortality, ressurection and reincarnation. The annual renewal and ever youthful nature of Adonis embodies the growth cycle of plants or crops. As referenced in Mythography of the late 19th and early 20th century in Frazer's The Golden Bough, the vegetation deity was refered as the Corn Spirit, corn as in the sense meaning grain or crop. Thus symbolically explaining the cyclical process of regrowth and renewal.

CREATION MYTHS ALLUDED TO VEGETATION GODS: Several creational myths are associated with the cyclical aspect of the Vegetation deities as bearing structural resemblances of the primeval & the primordial body of the deity generating the aspects Cosmos from his own Self as in the Norse myth of Ymir.

SYNONYMOUS CONNECTIONS: Adonis is synonymous with Eygptian god Osiris in aspects of rebirth,spring and fertility. Alongwith synonymity to Syrian counterpart Gauas or Aos, the Mesopotamian Counterparts Tammuz and Baal,
The Etruscan god Atunis, the Phoenician god Eshmun, the Norse god Baldr and the Aztec god Quetzalcoatl, bear resemblances to Adonis in terms of their regenerative aspects.      


THE RIVER ABRAHAM ( NAHR IBRAHIM IN ARABIC ) IN LEBANON
Is one of the claimed sites related to Adonis as it is belived that each Spring it is the blood of Adonis that flows turning red this torrential river as a sign of his subsequent return or Rebirth

Fire In The Sun symbolism

Satyavan as the return of the eternal One : The legend of Savitri & Satyavan finds its mention in the Book of The Forest in the Epic legend Mahabharata Markandeya one of the stalwart sages and descendent of the Bhrigu Rishis reciprocates as an answer to the question by the Eldest Pandava brother Yudishthir when he asks to equate another woman comparable to the idealistic virtues of Draupadi. As an answer Markandeya narrates the immortal saga of Savitri and Satyavan The childless king Aswapati and Malavi by the grace of the Sun god Savitr gets bestowed with a divine daughter naming her Savitri on reaching her youth she sets forth to search for her ideal soul mate and thus encounters Satyavan the prince of the blind king Dyumatsena who lives as a forest dweller in exile post loss of his once prosperous kingdom. Satyavan as predicted by Sage Narada is predicted to collapse soon after their marriage hence prohibits Savitri to marry him. But unwithered and strong willed Savitri goes forward to unite with her eternal lover. On the fateful day she accompanies her husband to the woods while Yama comes forth to carry Satyavan to the Underworld, Savitri perplexes him with her logical reasoning, impressed with her Yama eventually submits to her will in appreciation and thereby grants her the life of her husband alongwith the eyesight and lost prosperity of her father-in-law .

Sri Aurobindo adapts his epic poem in blank verse  Savitri  based on the above theology from the account of its narration in the Mahabharata as the means for evolution of mankind from its terrestial conscious levels to creating the Gnostic Super race on earth. Satyavan is allegorically implied to mankind struggling for its unison with the Divine. Whereas Savitri is empowered as the all illumined truth being thevdaughter of the heralding Sunlight, the dawn symbolism marks the opening scene representing the onset of the Spiritual quest-" It was the hour before the Gods awake ."..... Aswapati represents the lord of the horse or the lord of Tapasya- the one who aspires and achieves the immortal planes within the mortal earthly frame. While Dyumatsena symbolises the lord of the Shining hosts or the Divine blinded by the earthly existence seeking itself through the guidance of the light of truth Savitri. Thus, it displays the immortal tale of the conjugal of lovers overpowering earthly existence culminating themselves in Divine Union as Sri Aurobindo states -
"Love is the yearning of the one for the One".....

Jim Morrison's Eternal Life, his poetic creations, soul rendering feelings, his love and his emotions, depict the legends of long lost coming back again to Life ...His Second Coming Rebirth ....

Now Night arrives in her purple legion

Retire now to your tents & to your dreams

Tommorow we enter the town of my birth

I want to be ready .


The soft parade has now soon begun
Cool pools

From a tired land

Sink now

In the peace of the evening

For seven years
I dwelt in the loose palace of exile....

Now again I have come to the land of the fair, & the strong &  the wise....

                                        - Jim Morrison

Salutation To The Cosmic Mind Jim Morrison And The Brhadaranyaka Upanishad

SALUTATION  TO THE BRAHMAN SELF ( Hiranyagarbha) THE ONE IDENTIFIED WITH THE COSMIC MIND......

A piece of music is like a pure expression of joy...   Pure like the celebration of existence.....

Great Creator of being Grant Us
One more day
To perform our art
& perfect our lives........

                                       -Jim Morrison

              THE PEACE CHANT

Om.. That (Brahman) is infinite and this ( Universe) is infinite. The infinite proceeds from the infinite. (Then) taking the infinitude from this infinite (universe) . It remains as the infinite (Brahman) alone.
Om peace!  peace!  peace!

                               -Brhadaranyaka Upanishad

The head of the sacrificial horse is the dawn.......

Thus, with the Asvamedha ( the highest vedic rite of horse sacrifice) commences the Brhadaranyaka Upanishad or the Wilderness Forest of great knowledge....the Sanskrit secret doctrines or the Upanishads are imports of realising the Brahman and the Atman Self . The Brhadaranyaka Upanishad being the greatest of them all, encompasses and gives forth the true identity of the Self while imparting the knowledge of the Brahman ( Brahmavidya).
Comprising of six chapters this Upanishad is divided into three kandas or episodes namely the madhu kanda, Yajnavalkya kanda or muni kanda and the khila kanda.

THE STALWART RHETORICIAN- YAJNAVALKYA

da...da...da..Datta, Dayadhvam, Damyata....

The three "da"s are the conclusive virtues imparted by sage Yajnavalkya near the end of this Upanishad. Encapsulating the true nature of one's self or the Atman by practising self-sacrifice benevolence, restrain and compassion.

Yajnavalkya the author of the Brhadaranyaka Upanishad as well as Sukla (white) Yajur Veda bestowed by his master Surya (the Solar God of omniscience) imparts the essence of Jyana or true intellect through the dialogues with his wives Maitreyi, Katayani and the female seer Gargi in the court of king Janaka.

Revealing the power of inference, perception, seeking, investigation and final contemplation of the Truth.

THE SOLAR CORONA OF AWAKENING THE EMPOWERED SELF

INTEGRATION OF THE BRAHMA JYANA AS THE INDIVIDUAL SELF

The Advaita Vedanta of Sankaracarya agrees to the Brhadaranyaka Upanishad in terms of its Monistic unity and the principle of non-dualism while establishing the Brahman-Atman relationship- as the former being born of the latter attributes to the true cognition of the Infinite and the individual self by recognising the Infinite nature of this seemingly finite cosmos.....Everything exists eternally, as it is born out of eternity........the Brhadaranyaka not only imparts the great knowledge of the cosmic Mind but also equally empowers the individual self .........".Aham Brahmasmi " (I Am the Brahman)
alongwith the invocation to  Truth, Light and immortality in the following sloka ...

Asato maa sad gamaya
Tamaso maa jyotirgamaya
Mrityur maa Amrityagamaya

Om shantih ! Shantih! Shantih! 

Expose yourself to your deepest fear after then the fear has no power. The fear of freedom shrinks & vanishes. You are free- Jim Morrsion's conscious poetic words themselves represent the power of the Self as the Brahman....

The opening of the trunk
Moment of inner freedom
When the mind is opened
& the infinite universe revealed
& the soul is left to wander
Dazed & confused
Searching here & there
For teachers & friends.....

Yoga Powers
To become small or invisible
To become gigantic & reach the farthest things
To place oneself anywhere in space or time
To summon the dead
To exalt the senses & perceive inaccesible images, of events on other worlds
In one's deepest inner mind & in the mind of others

The world becomes apparently infininte
Yet possibly finite
Image combinations
Permutations comprise this world game

The Lords. Events happen beyond our knowledge or control. Our lives are being led for us.

But gradually, special perceptions are being developed...
The idea of the "Lords" is beginning to form in some minds

I'm coming, wait for me.....

                                                  -Jim Morrison

The Primeval And The Primordial Aspect Of Man Lines To Jim .......... (Cosmic Union) -Monalisa

THE COSMOLOGICAL VASTNESS OF CREATION- THRU THE EYES OF THE POETIC CREATOR...ENCAPSULATING THAT INFINITE IN ONE FINITE SELF OF THE LORD IN A MAN

Eternal consciousness in the void...........,.

THE PRIMEVAL AND THE PRIMORDIAL ASPECT OF MAN AS THE MANIFESTION OF HARI PURUSHA SELF THROUGH THE POETIC WORDS OF JIM MORRISON

"Art is a vast midland it attempts to rejoin the subject & the object by revealing w/pure eye
Art can suspend the separation between the perceiver & the perceived
Beauty is therefore an absolute rooted in disinterested perception-Objects devoid of all purpose & meaning "
   
                                                                             -Jim Morrison

The sacrophagus of the pure white chaldean
The cradle of the sacrificial fire
Purifying thy soul
At its each human breath
True beauty is the Absolute principle
Partaking this worldly and unworldly bliss
The born and the unborn
Together
Create this cytoplasmic reality
Tactality of illusion
Is also that infinite self
Manifesting itself
On this earthly plane
This frame exists also in higher forms
As higher you can get
The deeper you delve
You find only Him
The adi anadi purusha (The Primeval and the Primordial Man)
Playing with and within himself
He is his self

                               - Monalisa  Lines to Jim ......... (Cosmic Union)

Lines To Jim......(The Coming Of Spring)-Monalisa

Love is the immaculate beauty
Immersed in itself are the tears of pure joy
Picturesque landscape of the creator's eternal vision
Percolates within itself the Divine Decree


Blossoming of the innocent virgin flowers of the heart
Calling themselves to embrace eternity
Birds hop about in the garden of Far Arden

The wishes of life ever fulfilled
Trinklets of the fragrant nectarine
Hours of the secret iskes of Dawn's new wisdom
She awaits His arrival in her heart
At Dawn's early kingdom
The king arrives


Promises of the sweet morning rose
Pale as pink
Of the dewy mists
Encircling the pools
Of silvery waves full of light


Flakes of snow
Long ago
Are dipping themselves
Over the frozen pine



All await
Coming of spring
The season of love
The language of bliss
Everlasting youth
Long live this happiness